Retelling and Repetition

Towards a Literary History
of Derivation

Why are contemporary readers so fascinated by retellings of the Iliad or Beowulf? And why have retellings of premodern – ancient and medieval – texts not been taken seriously as a literary practice to date?

In Derivate, we investigate the striking surge of retellings in contemporary English literature by setting the contemporary texts in a productive dialogue with practices of writing in the Middle Ages. The medieval period offers a perfect point of departure for theorizing retellings as medieval literature was inherently derivative and medieval authors had developed a system for being inventive within a system of derivations. Taking issue with the privileging of that which is new in literary history, Derivate proposes a new paradigm for literary history: literary history as a history of derivations.

About the Project

Starting from the premise that retelling is a trans-historical concept, the project sheds new light on the processes of reception that find their expression in the current interest in and relevance of pre-modern material.

The project triangulates (classical) reception studies, medieval literary studies as well as literary theory, especially postmodernist theory, and scrutinizes the practice of retelling premodern (ancient and medieval) texts in contemporary English literature. Derivate thus develops a theory of retelling based on the intense engagement and critical comparison with medieval practices of retelling in order to map the wider cultural, historical, and literary contexts and implications of the current trend in retellings of classical and medieval texts (audiences, canon, literary market) as a springboard for developing a literary history of derivations.

Activities

EVENT
OCTOBER 15

Panel Event: Early Modern Women Take to the Stage

On Thursday 15 October 2026 we are holding two performed readings followed by a panel who will answer questions. This event, entitled 'Early Modern Women Take to the Stage: Creative Responses to the Past', is supported by the Centre for Historical Reconstruction Research and DERIVATE.
EVENT
OCTOBER 13

Workshop: Critical Fabulation and Reparative Retellings: Creative Approaches to War and Peace

This workshop will consider whether creative methodologies can help us better understand the past, reframing our understanding of history as well as myth. Engaging with research on peace storytelling and narrative transformation, we will also consider the role that creative retellings of ancient myth/history can play in deepening understanding of the war and peace in the present and driving change for the future. 
TALK October 12, 2026
Eva von Contzen

Tell It Again: Retelling and Repetition in Medieval Literature

– ST ANDREWS INSTITUTE OF MEDIAEVAL STUDIES (SAIMS) | St Andrews, Parliament Hall
TALK September 14, 2026
Anna Opanasenko

‘Revoicing’ Medieval Women: Critical Fabulation in Ruth Wiggins’s The Lost Book of Barkynge

– ANGLISTIKTAG | LMU Munich
TALK September 14, 2026
Anna-Rose Shack

Text/Textile: Reweaving Classical Myth on Stage

– ANGLISTIKTAG | LMU Munich
NEWS September 14, 2026

Derivate Panel at Anglistiktag 2026

Last week the Derivate team headed to the Anglistiktag annual conference in Munich! Our panel was entitled "Repeating, Retelling, Returning: Literary Derivation and its Affordances." Anna, Matteo, and Anna-Rose presented papers showcasing work that will appear in a forthcoming special issue of Anglia. The panel was ably chaired by Philomena and, following the papers, the four team members participated in an enjoyable and generative discussion with the audience. Thank-you to the Anglistiktag organisers and to those who attended our session!

Find more of our Activities!